We’re back for another Sunday
Music post featuring the music of Estonian composer Arvo Pärt.
Today’s selection is
“Fratres”, which Pärt composed in 1977. “Fratres” also employs Pärt’s
tintinnabuli technique, which was discussed in last week’s post. According to
Wikipedia, quoting Deutsche Grammophon’s Sinfini Music website, the composition
is a “mesmerising set of variations on a six-bar theme combining frantic
activity and sublime stillness that encapsulates Pärt’s observation that ‘the
instant and eternity are struggling within us’.” (Note that Wikipedia’s link to
the article isn’t working because the Sinfini music site is closed).
“Fratres” was composed
“without fixed instrumentation”, & many combinations of instruments have
been performed & recorded. The most common are violin & piano &
cello & piano, but it’s also common to see wind ensembles, cello ensembles
& various string ensembles, often with percussion added. However a search
on YouTube turns up some more unusual combinations as well, including two
pianos; cello & guitar (an interesting arrangement, but to my ear a
six-string guitar lacks the force & depth to really carry off its part—it
would be interesting to hear an arrangement for a guitar with extended bass
strings); marimba & vibraphone; & violin & accordion.
I’ve chosen two versions
from the many; do hope you enjoy them.
Image links to its source on Wiki Commons :
"Ewigkeit – Sinnspruch an
einer Wanduhr in Meersburg, Bodensee" by Evergreen68 who makes the image
available under the Creative Commons Attribution-Share Alike 3.0 Unportedlicense. The clock inscription in English: "The Golden Age flies to
Shadows; O Human, recall Eternity."
Oh man, I really love the cello and harp version!
ReplyDelete& a graphite cello, no less! Yes, they both play beautifully.
Delete