A miscellany like Grandma’s attic in Taunton, MA or Mission Street's Thrift Town in San Francisco or a Council, ID yard sale in cloudy mid April or a celestial roadmap no one folded—you take your pick.
My apologies to fans of
the Sunday Music feature for today’s post being so late.
We wrap up our series on
Esmerine with something a bit different—their version of Arvo Pärt’s “Spiegel
Im Spiegel”. It’s actually how I discovered Esmerine, & also serves as a
lead-in to announce that next month we will be featuring Pärt’s music—&
there are five Sundays this April. Of course five posts will scarcely even begin to introduce Pärt’s work.
Esmerine dedicated their
performance of “Spiegel Im Spiegel” (which means “Mirror in Mirror”—a symbol of
infinity) to their deceased friend, Lhasa de Sela. They also recorded a song
titled “Snow Day for Lhasa” in his memory; this was included on their 2011
Constellation release, La Lechuza.You can listen to a live version of that song here.
If you’ve enjoyed this
series on Esmerine, please consider supporting them by purchasing their music.
It’s time for another
edition of Sunday Music here at Robert Frost’s Banjo.
We continue our feature on
the band Esmerine with a live performance of their
piece “Barn Board Fire”, shot at Château de Monthelon.
“Barn Board Fire” is a
more recent composition than the music we featured the previous two weeks; it
appears on their 2014 Constellation Records release, Dalmak. Esmerine composed the music for the album
& began recording it during a year-long residency in Istanbul; in fact, “dalmak”
means “immerse” in Turkish. The recording was completed back in Montreal in
2013. For more information on the recording process, you can follow this link
to the Wikipedia entry on the band.
If you enjoy what you’re
hearing, please consider supporting Esmerine by purchasing their music.
We return to Sunday
Music with more on this month’s featured ensemble, the Montreal-based
chamber rock group, Esmerine.
Today’s selections are
from a 2012 “take away show” (concert à emporter) or informal gig at la GaîtéLyrique in Paris. If
you have some French, you can read about this show at the Blogotheque
site here & find out why
Esmerine’s music is like opening a set of Legos on Christmas morning. But even
if you don’t know French, you can certainly enjoy this wonderful performance.
The selections are
“Sprouts” from their 2011 Constellation release, La Lechuza; &
“Nohna's Lullaby” from If Only a Sweet Surrender to the Nights to Come Be
True, released in 2003 on the Madrona label.
If you’re enjoying
Esmerine, please consider supporting them by purchasing their music.
Image links to its source on Wiki Commons
Théâtre de la Gaîté, 3
bis rue Papin, Paris 3e. Vu depuis le boulevard de Sébastopol.
Welcome to another edition
of Sunday Music on Robert Frost’s Banjo.
The featured artist for
Sundays in March is the Montreal-based ensemble Esmerine. Esmerine has been described as a “chamber rock”
group, but whatever term or terms we choose to describe their sound, to my ear
it’s unique & exquisitely beautiful. The combination of cello & marimba
(& bowed marimba at that!) is just wonderful, & Esmerine brings other
instruments to their mix as well, while eschewing the guitar sound—which even
(or especially?) as a guitarist myself, I find refreshing.
Esmerine formed in 2000 as
the duo of percussionist Bruce Cawdron and cellist Rebecca Foon. The ensemble’s
current line-up is Bruce Cawdron, Rebecca Foon, Jamie Thompson, & Brian
Sanderson, while past members include Sarah Pagé & Andrew Barr. The groups
members are associated with other Montreal-based acts such as Godspeed You!
Black Emperor, Thee Silver Mt. Zion Memorial Orchestra & Tra-La-La Band,
Saltland, Fifths of Seven and Mile-End Ladies' String Auxiliary. They’ve released five albums, &
I’d encourage you to support these fine musicians by purchasing their music.
Histories Repeating as
1000 Hearts Mend is included on their 2005 Madrona release, Aurora.